We ask that flowers or decorations are not brought into the restaurant.Our corkage fee is $95 per 750 ml with a 2 bottle maximum.Children under the age of 5 are not permitted in the Dining Room.Children & infants must be included in the party size we cannot accommodate strollers in our Lounge or Dining Room.The à la carte menu is served only in the Lounge and is not available in the Dining Room.The tasting menu is only served in the Dining Room.It may not be possible to accommodate all restrictions and food allergies in our tasting menu. When booking reservations, please indicate any dietary restrictions.
All no-shows will forfeit their deposit or pre-payment with no exceptions.Reservations within the 48-hour window cannot be rescheduled. This policy applies to same-day and prior-day reservations.
#YELP PROTEGE RESTAURANT FULL#
#YELP PROTEGE RESTAURANT MOVIE#
This is the kind of movie in which a security team full of generic thugs in matching leather jackets and buzz cuts can fire a million rounds at her and not hit her once, but she can fire exactly two bullets and take down both guys who are chasing her. The script from writer Richard Wenk, whose muscular oeuvre includes the Denzel Washington “Equalizer” movies, a “Jack Reacher” and an “Expendables,” revisits the horrors Anna witnessed in the past but seems more interested in the perils she can escape in the present. And of course, Keaton brings inspired menace to the role as well as a twinkle in the eye with his playful delivery.īut “The Protégé” is primarily an action picture, even as it offers lip service about atoning for sins of the past. Keaton is nearly 70 years old going toe-to-toe-and seemingly holding his own-with the bad-ass goddess that is Maggie Q. Still, Campbell and editor Angela Catanzaro were wise to let the fight scenes between these two play out so we can actually see the choreography, see the work they’ve put into these roles. And listening to the two purring at each other over drinks about the distinct sounds different handguns make does clang a little. We can tell he cares about her because he tells his beefy underlings to go easy on the waterboarding once they’ve captured her, albeit briefly. Their dialogue improves the mood significantly, but it also seems out of place within this violent, bloody setting. From the first moment she meets him, pretending to be a customer in her bookstore and effortlessly quoting Poe as a form of flirtation, the two share a banter that’s so light and zippy, it feels like it fluttered in from a totally different movie. Along the way, she gets tangled up with Keaton’s Michael Rembrandt, a ruthless fixer for a billionaire criminal who projects himself as a global humanitarian. When bad guys come after Moody, she must go after them. (Jackson, of course, can play this kind of foul-mouthed and irreverent character in his sleep.) But a reckoning for a decades-old death forces Anna to confront both her traumatic childhood and her cultural roots. At least, it's suggested that's what's supposed to happen here "The Protégé" never digs too deep en route to its abrupt ending. By popular demand, our Patio is open come enjoy our la carte menu in the beautiful summer weather Walk-in seating at our Bar Top is also available on a first-come, first-served basis. Jackson’s swaggering assassin Moody found her and forged her into the killing machine she is today. An opening flashback to 1991 shows us where she came from: Da Nang, Vietnam, where she was cowering in a closet, carrying a gun and surrounded by dead bodies when Samuel L. She also has impeccable taste in clothes, food and literature-the rare bookstore she runs in London is both an innocent front and her true passion -and she’s quick with a quip regardless of the situation. Anna is a highly trained contract killer who’s cool and efficient.
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